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The contemporary art market is facing a deep revolution determined by the proliferation of digital production technologies on the one hand and by online platforms of distribution and sales on the other. Since the late 1990s, an increasingly complex scenario has emerged through different actors in the art market from auction houses to entrepreneurs, artists to large galleries. This in turn has led to new ways of buying and selling art online - some more successfully than others.


This course will explore the evolution and current developments of the online art market as it rapidly grows and adapts to new demands from its customers and reaches out to wider audiences–from the importance of archiving and conservation processes of digital artworks to changes related to metaverses and virtual worlds.


We will analyze different trends and examine case studies drawn from media labs, online exhibition spaces and DAOs, to understand how art is produced, distributed and sold, and what has led certain models to fail or succeed.


With knowledge of the histories and potential futures of the digital art market, participants will gain the know-how and confidence to venture into the online art market for themselves.




*Prices include VAT

Video conferences every Thursday from 3pm to 5pm Berlin time. Recordings will be available in case you miss a live session!

Week 1. Introduction

  • Presentation of the course, teacher and participants


Week 2. Media art and the internet revolution

  • Production, distribution and selling in the media art system
  • The art industries economic system
  • Digital art in the contemporary art market
  • Digitalizing spaces, processes and strategies
  • Online networks, DAOs and communities


Week 3. Formats, softwares, codes and virtual machines

  • From Net Art to Post Internet objectification
  • Generative art and printing solutions
  • Audiovisuals objects and frames
  • Memes, AI and automated graphic systems
  • Blockchains and NFTs


Week 4. Distributing, selling and collecting online

  • Galleries and exhibit spaces
  • Online platforms for digital art
  • Marketplaces and crypto collectibles
  • Art streaming
  • Apps and gatekeepers


Week 5. Critical issues, reflections, utopias and developments

  • Multiples and digital scarcity
  • Digital objectification and phygitals
  • AI and cyborg art dealers
  • Virtualizing objects and collections: Metaversi and Virtual Worlds
  • Archiving, databases and conservation

We will use Zoom for the live video conferences, please check Zoom's technical requirements here.


Closed captioning will be available during the video conference.

Marco Mancuso

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