Duration
As more and more artists integrate digital technologies in their work, it is common for curators to deal with the specificities of artworks that move away from the traditional notion of the static object and need to be plugged, configured, maintained or interacted with. The artworks usually labeled as new media art present certain challenges for curators, exhibitions spaces and audiences, while they open up possibilities for different ways of conceiving and developing an exhibition.
This course will focus on curating new media art through three features commonly present in artworks related to technology: process, interaction and virtuality. These aspects will lead us to consider, through a hands-on approach, the practicalities of curating new media art, from the very concept of the exhibition, to developing a project, calculating a budget, installing the artworks and presenting them to the public. Each week, we will discuss these subjects through case studies, suggested readings and sharing ideas.
*Image by Samuel Zeller
Week 1. Why curate (new media art)?
Week 2. Process
Week 3. Interaction
Week 4. Virtuality
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