Our new website is live! Please click here to reset your password.

Can we find new ways of working with archives and collections? How to deal with problematic legacies that underpin many collections? How to creatively reshape historic archives through curatorial practices? 

Through this course, participants will learn methods to research and curate exhibitions using art collections and archives, opening up new potentials for the field.

Starting with the history of archives and collections, participants will learn tools to critically engage with the politics of collecting and how to create enriching discussions with collected materials. In the following sessions, we will discover different methods that curators and artists have developed to work with archives and collections, including reparative research and community collaborations. In addition, participants will also learn about the role curators play in developing, and overseeing collections in institutional contexts.

To complement the inspiring case studies and discussions that take place in the online meetings, participants will receive readings and weekly reflection tasks. Over the duration of the course, participants will work on an overarching assignment that critically reflects on each week’s session.

By the end of the course, participants will have gained new skills and interpretive tools for working with collections and archives. The course will provide participants with confidence to critically engage with contemporary discourses around collected materials and their interpretation.

The course is aimed at art and culture practitioners in various contexts who have an interest in collections and archives. It would also be enriching for researchers, art historians and academics interested in the politics of collections and archives.


Image: Matthew TenBruggencate

Video conferences every Wednesday, from 3pm to 5pm Berlin time CEST. Recordings will be available in case you miss a live session!

Session 1. Introduction

An introductory session where we get to know one another, outline the community agreement for the duration of the course and discuss an overview of the material we will cover over the duration of the course.

- Participants will also receive an introductory reading in preparation for session 2.


Session 2. Histories of collecting

The practice of collecting is burdened by histories of accumulation, discovery and pillaging, which continue to influence contemporary collecting practices and present critical questions for researchers, curators, collections managers and many other cultural practitioners working with collections. In this session, we look at how an awareness of historic legacies allows us to build practices that centre on criticality and care.

- Develop tools for how to approach contentious collections or archives.

- Discuss assigned reading


Session 3. There must be other ways

Quite often collecting and archive practices, and how we engage with them are so reliant on institutionalised ways of working. This session is an invitation to imagine new ways of working with collections. We’ll also look at interesting projects that propose alternate methodologies for reading archives and working with collections.

- How to collaborate with communities connected to particular works/collections/archives

- Explore reparative research methodologies

- Look at examples of exhibitions that have repositioned certain readings of particular collections


Session 4. Artistic interventions

Artists have and continue to work with archives and collections to instigate projects and ideas. Curators and institutions have come to learn that collaborative partnerships with artists offer a valuable perspective on collections and agitate rigid structural blockers to knowledge production and sharing.

- We will look at collections-based artistic interventions


Session 5. Reflections

In this session participants will share their reflections and interpretive text on a collected work/archival material. The session will be about sharing the kinds of methodologies they would use and mapping out how it engages with a contemporary audience.

Language
Classes are held in English.

Format & Modality
The course is fully online and taught live via Zoom in small, interactive groups to support active learning. Live captioning is available during the sessions.

Schedule
Live sessions take place every (Day) from (Time) (Berlin time, CEST).

Attendance
Live attendance is encouraged to get the most out of the course, but recordings are available if you cannot attend a session.

Course Materials
All course materials—including recordings, readings, and presentations—are available on the Node platform for as long as you wish.

Assignments
Optional assignments are included, with personal feedback from the lecturers to help you apply what you learn. Please note that feedback is provided only during the course dates.

Certificate
A downloadable certificate is available upon course completion.

Technical Requirements
A stable internet connection, a computer with a camera and microphone, and access to Zoom are required.

Questions?
Check our FAQ or contact us via our online form.



Tšhegofatšo Mabaso

Read Bio Next

Recommended Courses

Duration Mar. 18 - Apr. 15, 2026

Art Collection Management

Art Handling, Transport and Storage

Legal Essentials in the Arts: Copyright, Contracts, and Logistics

Shipping Artwork: Logistics, Insurance, and Customs