Our new website is live! Please reset your password.

Project spaces (also known as independent art spaces, artist-run initiatives, off spaces, etc.) are an important part of the art ecosystem: nurturing experimentation, promoting new artists, sparking dialogue and working closely with local art communities. While project spaces take many different forms, what they have in common is that they are usually not institutional, not commercial, nor a white cube.

Whether you’re an artist, a curator or a collective group of people, having your own art space - no matter how small it is - brings a lot of opportunities to realize your ideas, experiment with concepts and build your career. Nevertheless, for a fruitful outcome it is important to consider certain structural, financial and conceptual aspects before getting started. This course is for people who want to set up their own independent art space. We will discuss the essentials of setting up your own space, including how to get started, potential organisational structures, developing a curatorial line, handling finances as well as PR strategies.

Over four weeks, participants will learn the practical aspects of establishing a project space and discover case studies of structural organisations and conceptual approaches. In addition, this course will also provide an overview of the history of prominent project spaces as well as current developments and existing networks.

Come with an already existing idea or start from a blank page! Throughout the course you will develop a concrete outline of the steps you need to realise your independent art space.


Image by: MF Evelyn

Video conferences every Monday, from 1pm to 3pm Berlin time CEST. Recordings will be available in case you miss a live session!

Week 1. Introduction

  • Introduction to the program and course overview. 

This is a one-hour-only welcome session. The lecturer will introduce the program and participants will introduce themselves. No prior preparation is necessary.


Week 2: Characteristics and formats

  • Introduction
  • What is an independent art space?
  • History of project spaces
  • Introduction to different types of artist-run spaces (exhibition formats, concepts, spaces and structures)
  • Project space platform networks world wide


Week 3: Structuring an artist run space

  • Structural set up (legal forms, team, opening hours, duration etc.)
  • Deciding on a location (who are your neighbors, audiences, collaborations, costs)
  • Defining your aim (Visitors, entrance fees, network, platform, etc.)
  • Audiences (What kind of audiences can one expect? What kind of audiences are you addressing?)
  • Program (exhibitions, lectures, open or closed)
  • Public programming (Artist talks, performances, education)
  • Different types of financing and fundraising for an artist run space


Week 4: Exhibition-making – concept, budget, practical skills

  • Strategies of developing a concept
  • Strategies of research. How to find fitting artistic positions and related topics?
  • Turning your idea into a practical concept
  • Lending works from artists and galleries (how to source the works and how to secure loans)
  • Writing a budget
  • Install (working with technicians, artists and considering packaging and access)
  • What to consider when organising a transport (insurance, customs, costs)


Week 5: Communication - artists, collaborators, press

  • Working with collaborators (institutions, curators, artists), defining contracts
  • Contacting Artists: open calls, invitations, commissions
  • Developing a Press Kit (writing press release, press images)
  • Communicating an exhibition and events (invite cards, newsletters, private invites)
  • How to use or not use Social Media
  • How to address the press and journalists
  • Documentation (taking pics, website, archive, catalogue)
  • Communication in the exhibition space (Handout, Labels; guided tours)

Language
Classes are held in English.

Format & Modality
The course is fully online and taught live via Zoom in small, interactive groups to support active learning. Live captioning is available during the sessions.

Schedule
Live sessions take place every (Day) from (Time) (Berlin time, CEST).

Attendance
Live attendance is encouraged to get the most out of the course, but recordings are available if you cannot attend a session.

Course Materials
All course materials—including recordings, readings, and presentations—are available on the Node platform for as long as you wish.

Assignments
Optional assignments are included, with personal feedback from the lecturers to help you apply what you learn. Please note that feedback is provided only during the course dates.

Certificate
A downloadable certificate is available upon course completion.

Technical Requirements
A stable internet connection, a computer with a camera and microphone, and access to Zoom are required.

Questions?
Check our FAQ or contact us via our online form.



Nora Mayr

Read Bio Next

Recommended Courses

Duration Jan. 07 - Feb. 04, 2026

Creative Art Criticism and Writing

Duration Feb. 09 - Mar. 16, 2026

A Practical Guide to Curating

Duration Feb. 11 - Mar. 11, 2026

Public Speaking for Artists and Curators

Duration Soon to be announced

International Curatorial Program - Spring 2026

Developing Curatorial Concepts: Research & Creative Ideation

Writing for Curators: Sharpen Your Voice, Strengthen Your Practice

Art Criticism and Writing: an Introduction

Budgeting for Exhibitions and Art Organizations

Exhibition Texts: Writing, Editing and Ethics